by Tiziana Furma
Listed as one of the founding fathers of the Italian but chanson d'across borders, and character uniquely the galleries, Paolo Conte is inspiring large numbers of authors, songwriters, musicians and so on and so forth. So, say he is a father is perhaps simplistic, it could be called "training ship" in the best sense of the term, of course, draws from a priori knowledge of great artists such as Georges Brassens, Jacques Brel, Leo Ferre. Just to stay in the song of central Europe. To substantiate the above, there is a discography of the author Conte, in continuous experimentation by many artists, more or less known.
We could define the artist in question "chameleon of himself," as the capacity to change, turn right or left her reasons (warning (!) Is not the right or left of politics because Earl has been able, in his music, remain outside the sphere of the theater!), introduce new text, rhythm, interpretation, or often risking firsthand. But the novelty, you know, is often a risk, and the temptation is right there in fact. Being able to reach the public, your audience, capturing the attention on something that was not there. Or that there was but it was proposed in a different way.
The song is a mix of elements already on the market: everyone! Not invented anything, you mix the desire, passion, knowledge and art to a very small ingredient which, unfortunately, today is in short supply: the skill. There is an analogy and a line parallel to how to "make music" Pier Mazzoleni, and Paolo Conte. Pier is a songwriter, pianist and accordion player involved, which leads to "mixing" of his story told with a few compositions, essential elements, consistent with the emotion of the relationship with the audience that always speaks with the passion of honest man. That's deep interpretation, that his being on stage, makes him a shrewd communicator.
It comes on stage with his face, with its enchanted world naked sometimes ironic and always in equilibrium with its message: life. As the songwriter, Asti is apolitical, has a strong passion for France (Pier said: "France is like a great mother with her legs still open, as though he lived his story within the play most studied ... and all you can stick ") and shares the passion for jazz and the sentence is not obvious. Pier Mazzoleni's songs are soaked and dripping with jazz, Latin rhythms, of America, memories and passions, shared history and yet sophisticated, paths contaminated with swing blues.
Pier belongs to a strong voice in timbre sometimes sweet and who knows how to play out the full meaning of words, as if to underline this, most dominant aspect of his songs, is a trait of his being so very marked, probably just as Count, share that way of asking the public perhaps a bit 'mysterious shadows, and histrionic, but always sincere and strong presence of the word.
Teacher of piano and accordion Pier is director of the Center emotional music, the music school he founded in Bergamo (Italy) in 2003. Bears his signature on the first acoustic project "The Island of copyright songs" of 2007, disco pop jazz entirely written and performed by him, with a small and trusted group of eminent jazz musicians.
The songs recall real-life stories, emotions and memories of a past time, landscapes and atmosphere near and far, but also aspects of a daily current affairs. Recorded between May and June 2009 "Your true identity," his second work, and a CD with 12 new songs, of which Peter is a composer, producer and artistic execution.
I invite you warmly to visit his myspace page and that of http://www.myspace.com/piermazzoleni2 facebook http://www.facebook.com/pages/Pier-Mazzoleni/96890437235 # / profile.php? Id = 1560171026 & ref = profile.
You can download some of the songs from The Island and some anticipation of the new album, plus unreleased goodies and material "disengagement and informal." Interviews, reviews, and material in his art work is available on the net, looking for "Pier Mazzoleni" on the home page of Google.
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