by: Dave Neuenschwander
Sight reading music, playing music written not know the time is an important skill for all musicians for development. With a few minutes of sight-reading integrated into your daily practice, your ability to develop rapidly. In this paper, we present a simple and effective practice.
To begin, find an anthology of music for your instrument. I propose a collection that is at a lower level than your ability to play now. If your studies include a graduated system of musical education, because what exists in Canada and England, to try to find a book at least two levels below the level.
We establish some ground rules for the practice. Use your anthology for the sight-reading alone. Once you've seen, read your article for the day, mark your place and close the book, do not try to play the song again. Start by reading half a page of music every day and work your way up to a full page in a few weeks.
Open your book for the first part of music. Before playing a note, you discover some details about the song: title, author and date. We have established a context. Knowing these things can tell us what to expect with regard to style, rhythms, and the same level of difficulty. We will have a different set of confidence of a Bach fugue to a study by Czerny, for example. Next: Find the indication of time, identifying the time signature and armor.
Visually examine the music from the beginning of the end section that will play. Do not play a single note at this moment! No matter if you start in the middle of a song or if our chosen section ends before a sentence ends. What matters is to get a feel for the rhythms of the basis of this article, the harmonic content, construction and familiarity with the music before you play.
Now identify potential sensitive areas in the section you're going to play. Imagine if this ability is not mentioned, nor how you can simplify the transition, if necessary.
Now we are almost ready to start playing. Once we leave, we are committed to play from beginning to end. N. false starts, no cover. Once past only, and then we're done.
Set a time for themselves which is under the actual time. Count in full measure prior to the music, and then begin to play the passage of time itself. Train yourself to ignore the temptation to correct mistakes or missed notes. Getting from start to finish without stopping.
Once you've finished reading your point, mark, if you start from your next session. Remember that your goal is to develop the ability to read music familiar sight. Or is the practice of reproducing parts of sight-reading the book will be the defeat that purpose.
With discipline, the sight reading approach really only lasts a few minutes of your time practice, probably less than five years, but your skills are developing rapidly.
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